CASE19953: Horary consultation concerning Mr Johnson (PERSON13223)
Question asked by Mr Richard Napier [Sandy] [Richard Napier [Senior]] (PERSON5218) on 10 October 1601 at 18:30
RN Mr kinge mr whaly & the rest of the lecturers of Toceter sente vnto me that I would come over to see Mr Iansone a minister yt is {sic} lyeth as it were in a despayre & cannot be comforted. by a letter Octob. 10 die ♄ hor. 6. 30 p m. 160i quæro vtru sit pos morbꝯ eius sit curabilis nec ne. freneticꝯ. desperabundus.
[Astrological Chart]
Transcribed entry from MS Ashmole 404, f. 209v (upper left part of page)
CASE40609: Horary consultation concerning an Anonymous (PERSON37820)
Question asked by Mr William Greenocke [Greenway] (PERSON31132) on 17 November 1612 at 11:30
RN mr will: Greenenough mynister for a frend & a gentlewomā of his acquanttance yt hath taken mutch greefe & is out of tem in her brayne for yt her frinds & parents would not bestowe her on a ty yt she loved novēb. 17 ☾ {sic} h. 11. 30 ant m 1612.
Transcribed entry from MS Ashmole 409, f. 207r (upper right part of page)
CASE31740: Horary consultation concerning Joan Dickins (PERSON22916)
Question asked by the patient on 22 June 1607 at 08:50
RN Ione Dickings of Stocke golding 20 y Iune 22 ☾ h. 8. 50 ant m 1607. frigted or haunted wth some ill sprite mopish wōt to Drowne her selfe |suspecteth on lanckford min onc curat of b|w|oulvrton. nevr well since he was there.|
deus eius nostri miseratr. in prsenc mopish sottish laugheth looketh well.
Transcribed entry from MS Ashmole 193, f. 228v (upper left part of page)
CASE40651: Horary consultation concerning an Anonymous (PERSON37820)
Question asked by Mr William Greenocke [Greenway] (PERSON31132) on 28 November 1612 at 13:00
RN Mr Greeneway for a mynister of Cople in Bedfordshere for a young gentlewomā distracted for on she loved & her frends hindered novēb 28 ♃|h| {sic} hor. 2 \1. 30/. p m. 1612.1
[Astrological Chart]
Notes:
1 ‘frentick for losse of her love.’ in chart
Transcribed entry from MS Ashmole 409, f. 216r (upper right part of page)
