CASE73389: Horary consultation concerning an Anonymous (PERSON41462)
Question asked by the patient on 23 November 1631 at 10:30
TG A Man from {illeg}|w|hadon troubled with tussi, et ventriculi {illeg} d. 23 9bris h. 10. 30 Mat. 1631
[Astrological Chart]
Transcribed excerpt from MS Ashmole 212, p. 302 (upper left part of page)
CASE73884: Horary consultation concerning James Lea (PERSON53518)
Question asked by Anonymous (PERSON41495) on 27 February 1632 at 13:20
TG Iames leigh of Stoakebruen 5. y. feb: 27. h. 1. 20. p. m. 1632.
Transcribed excerpt from MS Ashmole 212, p. 467 (bottom left part of page)
CASE75628: Horary consultation concerning Sara Bishop (PERSON44232)
Question asked by the patient on 5 October 1632 no earlier than 15:30
TG Sara Bishop of tringe Annos 31. calebs melancholica, dolore capitis cervicis, lateris dextri et stomachi adeo mentis gravedine vexata
[Astrological Chart]
Transcribed excerpt from MS Ashmole 214, p. 55 (upper left part of page)
CASE77538: Horary consultation concerning William Longstaffe (PERSON53862)
Question asked by the patient on 10 June 1633 at 14:45
TG William Longstaff of Soleberrie 28 y jun. 10 ☾ h. 2. 45. p M. 1633
was taken with a lameness in his back two yeares agoe, & halfe a yeare since it brake vp in his leaft side
[Astrological Chart]
Transcribed excerpt from MS Ashmole 211, p. 215 (middle right part of page)
CASE77692: Horary consultation concerning Anthony Potter (PERSON56968)
Question asked by the patient on 25 June 1633 at 13:00
TG Iune 25. ho: 1. \p M/ 1633. Anthony Potter of newport. 22 y
[Astrological Chart]
Transcribed excerpt from MS Ashmole 211, p. 260 (upper left part of page)
CASE77237: Horary consultation concerning Roger Brown (PERSON45019)
Question asked by Anonymous (PERSON41864) on 10 May 1633 at 17:15
TG Roger browne of Chargroe \RN Chalgroe/ TG in Oxfordsh: 2 y Maji 9 ♃ \10 ♀/ h. 5. 15. 1633. lame in his legges about his hammes, & also somewhat lamish in both armes
[Astrological Chart]
Transcribed excerpt from MS Ashmole 211, p. 119 (upper left part of page)
