CASE38840: Horary consultation concerning Alice Mariot (PERSON32981)
Question asked by the patient on 1 November 1611 at 13:00
RN on Maryot a wench 15 y novēb 1. ♀. h. 1. p m. 1611 cānot goe but kepeth her bed it lyeth in her lyms weake & feeble
Transcribed excerpt from MS Ashmole 200, f. 183v (bottom right part of page)
CASE37459: Decumbiture for Jane Grub (PERSON31176)
Question asked by the patient on 27 January 1611 at 13:00
RN Iane Grub. sodenly taken going to divine service Ian. 15. ♂ h. 9. ant m 1611. in novilunio./ /ceb|r|ebra laborat et debilitate/\1
[Astrological Chart]
Notes:
1 ‘paralysis.’ in chart
Transcribed excerpt from MS Ashmole 200, f. 1r (upper right part of page)
CASE38693: Horary consultation concerning Goody Morton (PERSON24551)
Question asked by the patient on 11 September 1611 at 13:20
RN Goody morton of Aspley 45|4| y sept 11 ☿. h. 1. 20 p m 1611. {illeg}|v|ery weake
Transcribed excerpt from MS Ashmole 200, f. 164r (upper right part of page)
CASE38649: Horary consultation concerning Mr Robert Harvey (PERSON12617)
Question asked by the patient on 4 September 1611 at 16:00
RN Robart Harvy of newp 26 y Sept 4. ☿ h. 4 p m. 1611. hed light & sore
Transcribed excerpt from MS Ashmole 200, f. 159v (bottom right part of page)
CASE38965: Horary consultation concerning Elizabeth Davers (PERSON29645)
Question asked by the patient on 13 December 1611 at 09:39
RN Elis: Davers of lebbarne 17 y Decēb. 13. ♀ h. 9. 3{illeg}|9| ant m 1611.
ve\r/y weake
hath a great cough & is very weake & keepeth her bed. cā bring nothing
[Astrological Chart]
Transcribed excerpt from MS Ashmole 200, f. 203r (upper right part of page)
CASE38722: Horary consultation concerning Pearson (PERSON34152)
Question asked by the patient on 1 October 1611 at 13:00
RN On Person of Sherington. a mayden light headed Octob. 1. ♂ h. 1. p: m: 1611. light headed
Transcribed excerpt from MS Ashmole 200, f. 167v (upper left part of page)
CASE37805: Horary consultation concerning Mr Adrian Fortescue (PERSON19645) and Mrs Mary Fortescue (PERSON30516) and Mr William Fortescue (PERSON30513)
Question asked by Lady Grace Fortescue [Grace Manners] (PERSON19647) on 3 April 1611 between 15:00 and 16:00
GJ Mr Adrian Fortescue and mrs Mary Fortescue have taken thrice of their physicke and wrought well wth them, the gentlewoman sicke the first taking, and well since, her stomack better, but her head as it was
Mr Adrian sicke wth his physicke on monday last and tooke none since he sleepes not well, is growen weake and his waxen kernells remayne. / my Lady thinkꝭ that if he continue so it will bring him to a consumption She desyres to have some course for mr willm Fortescue 10 y. wch hath also an Itche. Desyres to be satisfyed how this Itche comes whether by overheating the bloud wth violent exercise. & whether they shall continue the rest of the physike.
Transcribed entry from MS Ashmole 200, f. 52v (bottom right part of page)
Lady Grace Fortescue [Grace Manners] (PERSON19647)Mr Adrian Fortescue (PERSON19645)Mrs Mary Fortescue (PERSON30516)Mr William Fortescue (PERSON30513)
CASE38017: Horary consultation concerning Mr Thomas Gibbs (PERSON30850)
Question asked by the patient on 1 May 1611 at 14:00
RN Mr Gybs of Bedford 44 y Maij 1. ☿ h. 2. p m 1611. hed ill et vertig.
Transcribed excerpt from MS Ashmole 200, f. 82v (upper left part of page)
CASE38577: Horary consultation concerning Second Baron Dormer [Young Lord Dormer] [Mr Robert Dormer [the younger]] (PERSON29887)
Question asked by the patient on 23 August 1611 between 13:30 and 14:25
RN Mr Robart Dormer ye younger. melancholy hed gydye a rawe stomacke
Transcribed excerpt from MS Ashmole 200, f. 150v (bottom left part of page)
CASE38581: Horary consultation concerning Mrs Dormer [Hurleston] (PERSON19499)
Question asked by Mr Richard Napier [Sandy] [Richard Napier [Senior]] (PERSON5218) between 23 August 1611 at 14:30 and 30 August 1611 at 11:00
RN Mres Hurstsone of Winge. was let blood six onces in her arme for a quatayne {sic} Ague hed light & gydye.
Transcribed excerpt from MS Ashmole 200, f. 151r (bottom left part of page)
